During the cold Massachusetts winter that I was nine, my father disappeared. It was a difficult time for my mother, and for me, the end of the world. Looking back, I see it was the end of her world as well. Mother was a musician and poet, creative and excitable. Sometimes she scared me, but she was all I had, and she loved me. She had good reason to be behaving strangely: Bank accounts were cleaned out, electricity and gas turned off. A fire had destroyed our basement, and we were anticipating eviction.
I wrote a poem for her, an attempt to reassure her, and maybe myself as well, that I could make things better.
I’m a little sunbeam
Not so very tall.
I want to make you happy
Which is not hard at all.
Just mind you and respect you
Each minute of the day
And I will make you happy
With everything I say.
For I love you and I trust you
And I know that you love me,
And I will make you happy.
You just wait and see!
We hung on with help from the church and family far away in Texas. They were concerned but states away from our problems. Then, unannounced, Daddy appeared at the door on Christmas Eve. He was dragging an enormous fir tree behind him, much taller than our ceiling. Mother cracked opened the door, refusing to let him in, her voice breaking as she hissed, “How could you be so stupid? That tree won’t fit in here! Take it away!”
“But it’s for Dottie. She’s got to have a tree for Christmas,” he pleaded.
“I don’t care who it’s for!” she shrieked, now past caring if the neighbors should hear. “You don’t love Dottie or you wouldn’t have left us here without food or money. Go away! I don’t ever want to see you again!”
My father shrank, jaws clenched, tears plying salty rivulets down his cheeks. Then he bent and broke off a branch, handing it to my mother. “Please take this for her,” he said and turned away, dragging the now imperfect tree down the front steps and out of my Christmastide.
Mother and I watched him drive away, quietly falling snowflakes softening the glow of the Packard’s receding tail-lights until they were no more. She pressed the branch into an urn and positioned it with a cruel irony where our holiday tree had in past years stood resplendent. I kneeled and stroked the pathetic, solitary branch, finally hugging it to my chest, sobbing. Mother left me to my grief, but of course she borrowed it for a poem:
“In her arms she held the sprig of green
As though calla lily rare
Embraced in love and mourned in loss
Her heart knew much to bear.”
I felt icy fingers of resentment slip into my mind to ask what I didn’t dare formulate as words, “Why can’t I have privacy for my grief? It is, after all, mine and not yours.” But I quickly disclaimed the ugly concepts, choosing others more dutiful with which to feel a proper gratitude for the poem. Passing years taught me that my mother, too, had her very own grief to bear. I missed my father terribly but was glad that he was safely removed from our pain.
One night before he left, Mommy had roughly awakened me. She dragged me into the bathroom where Daddy was seated, tugging groggily at his lowered pajama drawers, attempting to cover himself. He, too, was sleepy but was evidently sick as well. “I want you to know just how bad your father smells,” Mommy spoke, jaw tense, her face blotched with anger. “Smell him! He’s sickening! He makes me want to vomit!” I was embarrassed for him, and was shamed by my mother’s deficiency of grace, a concept for which I had no verbiage, but a completely adequate vocabulary of feelings.
The end of this period is marked by my mother’s hospitalization which followed an eventful period of paranoia. She flushed many casseroles, donated by concerned neighbors, down the commode, believing the gifts to be poisoned. A welder, attempting to remove a no-longer-used oil tank from our basement, had started a fire that destroyed all the precious plunder stored there. Mommy decided that it was the will of God to punish our sins because she saw “plain as day” the word “Will” etched in soot on the basement door.
My Aunt Judy was sent for. She rescued me, and I was saved. Driving cross country with her and her husband, Wesson, I was overwhelmed by an intense optimism. When Judy lamented the death of a still-glowing lightning bug that had splatted our speeding windshield, I quipped, “Well, at least he died with his light on!”
The next chapter of my story describes my sojourn in the home of my Aunt Judy, whom I adored, and Wesson, her fat, bald, cigar chewing, and aggressively unfriendly husband. Judy, a beautiful, statuesque, and successful purveyor of upscale ladies ready-to-wear, provided a luxurious standard of living for herself, for Wesson, and then for me, while he dabbled at various sales and mechanical drawing jobs. He immediately pegged me as dangerous, noting the seriousness with which Judy undertook her task as guardian ad litem. Forgetting that children grow vigorously, that first year while attending a trade show, she bought thirty-two Bobbie Brooks blouses for me, brought them home and insisted that I try on each and every one while she smiled and chewed on the rich nut of her new mothering role. She was delighted by this opportunity finally to have a child, even one not of her own blood and belly, but definitely a link to her soul.
Wesson was a horse’s derrière of a different color. He was clever to never accost me when Aunt Judy could hear. “You think you’re something special, Little Miss Priss,” he would sneer. “Mommy’s sweet little thing! Your crazy mother is the only one who thinks you’re worth anything.” Of course I hated him. This was a new uncomplicated kind of hate. It was sweet to taste its purity, unlike the bittersweet complexity of the love/hate I felt for my mother. Wesson arose early, and disdaining the civility of robe or dressing gown, he swaggered fatly in his boxer shorts, his long, soft, pink thing flapping below. I saw him, and he knew I saw him, so expose himself to me, a repeated act at once lascivious and aggressive. Whenever, at my request, Aunt Judy prompted him to adjust his pants, he feigned a shocked surprise, modesty affronted that I should have noticed.
Wesson enjoyed manipulating me to do things that inspired terror. Once each year at the Texas State Fair he required that I ride the big roller coaster, always in the lead car, wedged in between Judy and the press of Wesson’s sweaty bulk. “You have to ride it just one time,” he crowed. “It’s good for you. Keeps you from being a namby-pamby. Come on. Let’s get it over with.” And afterward, “Now was that so bad? You should listen to your old Uncle Wesson!” He insisted that I climb the giant pecan tree, whose luxuriant limbs shaded our backyard. He cut and installed wooden rungs to provide purchase for my slippery tennis shoes on the featureless lower trunk.
Victory over the tree won for me a new confidence, and I climbed it often until I was permanently grounded due to the onset of my menses. At the first sight of blood, Judy declared me a woman, bought me a training bra, and instructed Wesson to stop trying to make me into a tomboy. That was his cue to begin dropping suggestive references to my tentatively burgeoning bosom. I cringed, slumped, hugged my books, and walked lightly, a parody of the invisible.
Succumbing to Wesson’s nagging, Judy several times loaded me onto an airplane, destination pinned to my blouse, and sent me and my suitcase to stay with my mother in her Boston rooming house. The experiment always ended badly, local authorities indignant, and I was returned to the comfort and relative security of Judy’s Dallas home, not a bad arrangement if I could steer clear of Uncle Wesson…
Even more at http://www.morethanenoughtruth.com
The entire story is part of Dante’s Wedding Cake, using an inversion of the metaphor of the Circles of Hell to describe a life.
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